I Love You Anyway

Second song for the Write-a-Thon is now complete! [+2 experience/+1 magic]

This one is for my friend Kat, who requested a song on the ukulele about farting that her sister could dance the hula to. I love Kat.

So here it is, in all its uke-tastic glory:

I Love You Anyway

There’s still plenty of time to donate and I’m eking ever closer to my goal. I want this album to happen. I’ve already got an amazing photographer on board to make the cover art. Don’t you want amazing cover art?

Oh, and this song is my first single and, as such, it will have a music video which I will unlock once I hit $300.

But for now I’m going to grab my ukulele and sit by a rooftop pool for a friend’s birthday and work on another song.

There’s a million days today could be for you – what are you gonna do with it?

Posted in Clarion Write-a-Thon, Music | 1 Comment

She’s afraid of the light in the dark

All the big things are taken care of for the Viable Paradise workshop this October (never have I been more happy to be able to finally afford to write the check that I wrote today), so all that’s left is a serious amount of reading. Seeing that I’ve barely had time to read the books for the Hugo Book Club my friends and I started, some priorities will have to be shifted if I want to find the time to do that, write and work on the Write-a-Thon songs.

Speaking of the Write-a-Thon: To all of you who’ve donated: THANK YOU. Not only are you supporting a great cause, but you’re kicking my butt into creative overdrive to do things that I’ve been avoiding doing for close to two decades (i.e. write fucking songs).

To all of you who are still thinking of donating, there’s still time. And oh yes, the album will be amazing.

It still hasn’t quite sunk in yet that THINGS are starting to happen. Always I’ve felt the lurker – peeking over the shoulders of the people I admire. The problem becomes when those shoulders account for 360 degrees of the landscape. I want FACES. And they’re slowly resolving. You can talk to faces. Learn from them. Backs give you jack.

But the numbness is a blessing for now. Otherwise I wouldn’t know what to do with myself for the next three months.

Watched a movie this afternoon: Night Watch. On Netflix it was classified as a Russian Science Fiction trilogy about the struggle between light and dark. Ben finds weird shit on Netflix, and this easily falls into that category; unnecessary shots of the interior of engines and overly enthusiastic subtitles and all. While the plot stood well on its own, the thin folklore sprinkled throughout (much of it revealed for the convenience of the plot) hollowed the heart from the movie. Light versus dark isn’t a theme anymore – it’s been too overdone. In order to wring any life out of it, one has to weave so many other threads in and out of it that it acts more as an organizing principal than a theme (see Harry Potter), or just crash the plot forward in complete disregard of themes (see Star Wars), or even just have it as an internal struggle within a single character (Black Swan, et al.).

As such, Night Watch did none of that. And while it’s the first part of a larger story since I came away with a resounding “Meh” I won’t be spending any more time on it.

Now I’m going to try to take a stab and finishing the third part of this story I’ve been picking at all week. It deals with order and chaos and demons and six year old boys named Peter. It’ll be my first attempt at a straight up horror story when it’s done. I’m fond of it so far but I’ve been pulling back and forth between three different endings. But like they say: for every story, think of three endings and use the fourth.

And I don’t like the fourth option.

Final thing: the second song for the Write-a-Thon will be up by Saturday. Prepare your hips for dancing (just your hips – everything else must remain perfectly still).

Posted in Clarion Write-a-Thon, Movies, Music, Viable Paradise | Leave a comment

So many announcements, so few letters in the alphabet

I should start with the biggest news, which is that I got into the Viable Paradise workshop!

I would try and describe how excited I am about this, or how that excitement is dampened because I have to wait for three more months for it to start, or how that excitement ramps up again because it hasn’t fully set in that I got in yet, but I won’t. Because I just did.

I will be blogging about it while I’m there as much as the wifi at the hotel and my free time will allow (though I’m guessing “free time” there is only occupied by showering and sleeping, and both of those also may be optional).

My inbox has been exploding with the other student introductions while I continue to be lurker-ish. But that’s because

I am excited to announce that the FIRST commissioned song for the Clarion Write-a-Thon is now done! My friend Rob supplied some awesome embellishment to the original banjo and vocal track and I present it to you here, in all of its glory:

Ladies and gentlemen: Tiny Arms, Big Heart, Bigger Stomach (31 Flavors of People)

A permalink to the file on SoundCloud (including the option to download it) is here. My dearest Natalie requested a song on the banjo about a T-Rex who was sad because he couldn’t eat an ice cream cone due to his tiny arms. It came out much better than I had even hoped.

If you would like a song of your own, donations are still open through the first week of August and you can donate here. Remember: $20 buys you your own song about anything you want, and if I hit $400 (I’m getting close!) I’m releasing all of the songs as an album I will send to everyone who has donated at ANY level.

Also, I am doing collaborations on these songs (as is evidenced above), so if you want to get in on the fun, let me know and I’ll see if we can work something out. I’ve got 10 more to do.

I’m working from home today, which compounds the happiness exponentially.

Be good, love freely and go make some fucking art!

Posted in Viable Paradise | 5 Comments

Frozen in time, like so many lima beans

Posted in Errata | Leave a comment

… and jetpacks. Definitely jetpacks.

“This future sucks. I hate archiving and tagging everything.”

I read that on twitter tonight (by the hilarious royb0t), so I started writing about why I liked that one so much.

That’s really awesome, actually. We thought the future would have everything automatically indexed as it came along – real time monitoring of all of the world’s goods and services and personalities and buying preferances – all of humanity encoded on one big computer called the itnernet, which, in a sense, is an artificial intelligence. I mean, look at fucking Anonymous and 4-chan. It can so easily devolve into a mob mentality, but one that is slightly more intelligent. There are people pulling strings all over the world in this online stage, which is really just humanity’s own fascination with itself. I mean the internet can dig out every single person’s deepest, darkest secrets and make sure that EVERYONE knows about them. Weiner taking pictures of a weiner? That’s front page news.

People don’t know how to grapple with the implications of this. Everything you do is fodder for the swift, harsh judgement of the artificial intelligence of humanity. The values espoused on the internet are the lowest common denominator, but not in a bad way, but in that they relfect the true haertbeat of humanity. All actions are informed by all sides and debate is undertaken over who is right. How is that not the act of an id, an ego and a superego?

In any case, while all this is happening – we all want to be a part of this higher being – we’re opened up to the entire world of human history and experience. Anything you could possibly want to indulge in is available. Answers are available at the click of a button.

What kind of society does that breed, you ask? Well, I’ll there will be a new bell curve. On the one side there are the people that rely entirely on the iternet as the source of their knowledge. They will be the folks who lack creativity. They don’t bother to learn things themselves – just enough to get by. And then there will be the people who use it voraciously – gobbling up every snippet of information they can gather and constantly seeking, seeking, seeking. The day is filled with gleeful binges of info-snacking, flitting from obsession to obsession, each changing by the minute, soaking it up, storing it away with an almost ominscient precociousness, thinking that you’re becoming more and more intelligent, able to see more and more things, and that, in fact, you are existing in all of the time that has since passed. And you become humble, because you know there is so much you’ll never understsand. But that doesn’t daunt you, so long as you know the questions that need to be asked.

Because you know that with every sentence you read, you get a little more of the piece of the puzzle.

And because you know that if you run into anything you don’t understand, you can always go become the expert in it in two hours.

But both types want to be a part of it. That is undeniable. So they need to make their personality known and become involved in some way in the lives of others, to infect the datacloud not in one small geographical location, but people from all over the earth. And how they do that is by letting other people in by posting about themselves, and pursuing their own loves and  connections are made – long range synapses of adaptive behaviors. Because the beautiful part is that you can be anyone you want to be on the internet. And I’m not talking about lying about your gender or your age. I’m talking about you can be a truer person to yourself than you’d ever care to be in front of a being with a long-term memory (the internet has a very short term memory, but is capable of astounding feats of mental clarity when it comes to hindsight).

And so we upload, and tag and rearrange and crosspost and bleed the very marrow from your funny bone online so that people can maintain that viasge for you. It doesn’t matter if you can’t muster the same wit and whimsey when you’re not online. You’re leading two lives, and that’s one more than many people have.

So the simple statement, “the future sucks. I hate archiving and tagging everything,” becomes beautiful it its impllication.

We’ve seen this coming. Asimov told us it would be so. And now we’re here.

And we thought it was going to be milk and honey (and then blood and lilys and spring and fireworks). And we’re disappointed. But amusingly so.

Where is my flying car indeed.

Anyway, I’ll probably delete this in the morning upon a re-read when I’m less sleep-addled (and high on silly music-making).

I should hear back about Viable Paradise tomorrow or the next day. And my first commissioned song is nearly complete and ready for mocking. Tomorrow’s the end of the quarter and spirits are high at work. And I’ve got a story out in circulation and another few brewing. And a close friend is having a birthday this weekend. And I can’t possibly imagine a moment more perfect and full of anticipation as right now.

Posted in Process Geekery | Leave a comment

Mnemomancy

I have officially celebrated the last birthday of my 20’s.

Like any birthday, it’s foisting reflection on me with the distinct feeling of otherness the day holds. Even normal Sunday activities are tainted by it. Everything feels like it should be saturated with meaning – every aspirin ingested a symbol for the slow decline in my body’s ability to naturally numb pain. Every slight moment of nausea is the physical manifestation of the chaos of memory stirred up by the relative position in space of the earth to the sun.

Mnemomancy: the conjuring of past lives using the alignment of the stars.

So I’m using that strange feeling – the one that lingers as one’s mind acclimates to an arbitrary but necessary uptick in demographic for the few days where recalling one’s age doesn’t involve recalling what year it followed by a brief moment of arithmetic – to write a story.

One that can only be written on this day and the few days to come before this feeling fades.

Dear 29,

Please be good to me. We only have 365 short days together before I leave you and all of your kin behind for good.

Love,

Kelly

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Everything is everything else

(Comic via Incidental Comics by Grant Snider)

I used to go searching for ideas. I would spend hours smoking cigarettes on balconies staring off into space trying to make them come to me. I read stories and comics and became convinced that my fevered and verdant brain was spinning wonderful tales that would never again simmer into my awareness (because after all, I did willingly shut the tap). There was creative karma, I said, and a muse once spurned is a wary lover.

But there are ideas everywhere, if you follow even your idlest of thoughts.

This comic is a loving example of just that.

Take a simple thought that comes to you in chaos or in peace and let it swing and sway in your arms and it will eventually make you smile. Wonder is everywhere because everything is everything else.

And it’s because everything is everything else that fiction works so well to begin with.

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Help support a future Hugo nominee

So it’s no secret I’m working on being a kick-ass writer, but I did want to post my shameless appeal for donations for this year’s Clarion Write-a-Thon. Continue reading

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And they all pretend they’re orphans

Ain’t that the truth (via the always wonderful Wondermark comics by David Malki)

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#FuckPlanB and fuck #FuckPlanB

There’s been a lot of talk going around on Twitter in the past few days about #FuckPlanB. For those not familiar, it’s meant to be an inspiring call to arms for struggling and would-be artists to cast off the shackles of their day jobs to plunge head first into their respective art (in the truest “Damn the torpedos” sense). While admirable in its intentions, I feel compelled as someone who has, in essence, Fucked her Plan B to throw in my two cents.

The first thing I want to address is the fact that this particular essay will deal with people wanting to pursue some sort of art as their Plan A. Folks that are debating a career change or going back to school are going to have a wholly different set of demons they’ll need to exorcise. While there are similarities, art is different because art is subjective and there is no template for success – no list of milestones that will let you know when you’ve made it, no clear path leading to a financially sustainable career, no guarantee that one success will mean future successes will follow. That’s not to say that there is a guarantee that if you quit your job to go to law school that you’ll find a great job after you graduate, but chances are you’ll find something related to what you want to do and there are always avenues to move deeper into the field once you’ve got your foot in the door. Art is more ephemeral. Once you’re in the door, you can be kicked out at any time for no better reason than personal whimsy.

Like anything that stirs up so much dander, there are things the #FuckPlanB sentiment gets wrong, things it gets right, and in the end where you stand should come down to making a deeply personal decision that should be based on much careful thought and deliberation.

What the #FuckPlanB sentiment gets wrong:

1. The biggest assumption is this: the ONLY way to “make it” is to go all in; that failure in any sense is not an option. This makes the stakes incredibly high, but that’s the point: that the fear of losing the roof over your head or the food in your mouth will be enough to motivate anyone to make their art day in and day out.  Which brings me to my second point:

2. It trivializes the consequences of that failure. First off, what about all of those years you have to spend failing at your art and learning from your mistakes? Ideally you take a job that gives you enough time and energy away from work to be able to dedicate to your art, while simultaneously not becoming invested in that day job – this is staying true to the ideal of #FuckPlanB. But what about the consideration behind WHICH job you take? This is art we’re talking about: the ultimate folly. Success depends on things which are ethereal at best. Let’s say you are one of those people with endless dedication but no one is biting and no matter how much your throw yourself into it, you’re just not able to make it happen. What then? It’s a pretty picture to say that if you work hard enough, things will work out, but working out 100% of the time? It is possible to work a day job that you DON’T hate, that gives you lines to put on a resume so that if you do take the #FuckPlanB plunge and it doesn’t work out so you aren’t stuck in an unskilled job for the rest of your life, or worse in the unemployment line. Acquiring marketable skills is not a sin. And last I checked, the point of art is to act as a reflection of humanity and to illuminate that which we did not know resided within ourselves – to connect us through a common experience. If you’re ignoring common experiences that a large portion of your potential audience has, what are you going to sell them (because after all, you ARE trying to build a business out of this thing you love)? Envy?

3. It can breed a sense of entitlement. I skirted this one in the previous points. Say you do go all in and quit your job to dedicate yourself full time to your art. You’ve put in the hours, taken the knocks and you’ve gotten to a point where you have enough confidence (based, of course, on input from your carefully calibrated and fully rational internal barometer as well as trusted, impartial external sources of high esteem in your field of interest) to take the plunge. You’ve lived your life by the motto that hard work and dedication equals success and you’ve got the tough skin from your previous rejections that you can take a few rounds of failure. But what about complete failure? That’s what contingency plans are for, correct? To have something to save you from hitting the pavement at full speed when your life stalls. To assume that isn’t a possibility is to assume your dedication will equal success. What will your rationalizations be if you are a complete failure? Will it be because you didn’t do enough? Or will be it because you’re misunderstood and everyone else is a philistine because you’re obviously not the problem? Which one is a more adaptable stance?

4. It sidelines people who don’t have the luxury to throw caution to the wind. I would love to be able to be one of those people that can make their art full time. I dream of becoming a full time writer. But I have a student loan balance that precludes me from making under a certain amount of money a month if I want a roof over my head and food to eat. It makes me jealous of the people with the means to do so (be it through their own efforts or through their own privilege). This is something that I can work hard in a day job to erase. But I also have a chronic medical condition: asthma. Even if I work so hard that I manage to save enough money to live on for two years solely pursuing Plan A, what if I need to go to the emergency room because of an asthma attack? I am someone who has a high degree of privilege who, in a year or two, could theoretically say #FuckPlanB, but I’m still wary because being able to breathe is one of the things I can’t take for granted.

What the #FuckPlanB sentiment gets right:

1. It makes the stakes too high.  A lot of people make excuses why they’re not creating – why doing it later would me more ideal than doing it now. If you don’t have a safety net, you’re going to try really fucking hard not to fall, even when you don’t want to. There’s a lot to be said for this. But if you lack the motivation or self-control to dedicate yourself to your art EVEN WHEN you’re working in another job, quitting your job does not mean you’re going to create because time does not equal self-control. But if you’ve got the self-control and dedication, but you’re afraid of taking the NEXT step, taking a sabbatical can be just what you need to really get to the place you need to get to to become self-sustaining. Because in the end, Yoda was right: Do or do not. There is no try.

2. It gives you the time to do the other things that will increase your chances of success. If you want to be a professional artist, you’re essentially starting your own business, and running a business requires a lot more of you than just making your art. There are promotions, booking shows or readings, meetings, administrative tasks, etc. I have a friend who is well on her way to becoming an outstanding professional photographer. But she still has a day job so she can afford to get equipment and pay her rent. Now she’s running into the problem that there literally aren’t enough hours in the day for her to take care of post-processing, invoicing, seeking out new clients, marketing herself, maintaining her website, and all of the other random administrative tasks she has to take care of ALONG WITH the actual appointments for taking the oustanding pictures. She’s a perfect candidate for saying #FuckPlanB because dedicating all her time to her photo business would let her break through that wall so she can actually grow her business.

3. It takes away the fear of future regret. This is a big one. I was just talking with someone the other day who used the phrase, “If I could do it all over again…” I never want those words to cross my lips. Many people who want to make art for a living don’t want to utter them either. Taking time away from all of the normal bullshit in your life to dedicate yourself completely to something you’re passionate about can be the difference between saying those words and not EVEN IF things don’t work out. This is an ultimate win for #FuckPlanB because the kind of people it appeals two are the kind of people who share this same neurosis.

In the end, everyone is going to be different. For some, #FuckPlanB is the greatest decision of their life. For others, it could be an unmitigated disaster. For everyone else, it’s going to be a gray area. I spent a lot of time working towards a Plan B. I spent ten years in school for my Plan B before I worked up enough nerve to say “Fuck It.” But I didn’t say, “Fuck It” completely – that Plan B led me to a Plan Q career that I actually enjoy (some of the time) and wouldn’t mind doing should my Plan A never get to a point where it’s self-sustainable. And for a writer, even if you’re phenomenal, that’s not a guarantee. There’s nothing wrong with being sensible. And if having a Plan B you’re happy with is enough to get you to make excuses for not making art, you didn’t have the stuff to make a #FuckPlanB approach work out anyway.

I’m a big fan of having a Plan B for all of the reasons why saying #FuckPlanB is a bad idea. I’m also a big fan of saying #FuckPlanB for all the reasons that it’s a good idea. There’s no reason why you can’t be pragmatic AND a great artist.

Posted in Process Geekery | 5 Comments