We may do science for now, but in the end science will do us all in

So technically I’m now a published author. Actually, it would be more apt to say that I’m now a published technical author. Ahem.

So there’s that.

It’s a strange thing, seeing this thing in the world. It’s an extension of the research I did as an undergraduate and I have to say that as the time dragged on (and on and on) I honestly didn’t believe that I would stay so high in the authorship. One of my figures made it into the final paper (and a bit of the data I generated with some plate assays and plant measurements).

For those not familiar, authorship on scientific papers goes something like this:

Person who wrote the thing, second person who either helped write it or did a lot of the experiments, did some experiments, did an experiment or two, did one experiment, guy who gets the money for the experiments (i.e. the primary investigator or PI as they’re known)

In this case, this work was done in two labs between two PI’s so they’re double billed at the end (with Dr. Fromm having been the one to do the bulk of the PI’ing on this particular paper and Dr. Turano, who was my boss).

Fascinating, I know.

There is now officially a record of my career as a scientist. I’m a bit chuffed about it, I have to say. While I didn’t get a single publication out of my graduate work*, this numbs the sting a bit. After all, this paper represents the only high point of my life as a scientist – when I was still excited about it. And not just excited about the IDEA of becoming A SCIENTIST, but also enthusiastic about the PROCESS of science. I didn’t mind the long days because I loved so deeply. I lived in the lab the entire last year of college. Right up until I left DC for good.

It still makes me sad to think of that me, crying that last day in lab as I gathered everything from my bench into my notebook, sitting in front of the ancient Mac that was possessed by the spirit of John Ritter. Sad then because I was leaving the first place I ever felt really at home. Sad now because I realize that was the last time I was happy as a scientist.

I wanted to change the world.

I wanted to change the fucking world.

It’s funny how small a life becomes as we get older – the things that fall out of focus. I made a comment in jest in an e-mail to a friend earlier today about how time seems to be speeding up as we get older. I said, “I’m convinced it has to do with the weight of a lifetime of memories causing a warp in spacetime around me.”

The weight of memories can compress a thing. It can compress all of a life into these moments where we can see ourselves now and ourselves then and twist it all around until we’re so wrung out from the friction between the two that we can become broken.

But there’s always a light. Even black holes – the densest of things, let a little light shine through from time to time.

*That’s not to say I didn’t WRITE a paper. Or two. Just that they haven’t been published. Yet.

Posted in Process Geekery | Leave a comment

My recipe for quinoa (or how to reach the garlic-carrying capacity of a grain)

I’ve been cooking more lately.

It’s funny that now that I have enough money to buy groceries regularly, I eat out a lot less than when I had no money for groceries. Plunking down $50 a week seemed more painful than spending $5-10/meal each day and just making do with frozen stuff in between.

As such, I have a lot more things lying around my apartment that lend themselves to serious cooking than just pasta with frozen veggies. So I cook more. And every time I get a little better at it.

Tonight I made the BEST quinoa I’ve ever made and I wanted to share. It’s completely vegan (if that matters to you) and takes about 20 minutes.

I had some shallots lying around leftover from the AMAZING butternut coconut rice I made the other week (from the OUTSTANDING vegan cookbook Appetite for Reduction) so I took half of one of those and sliced it. I fried that up in a tablespoon of olive oil until they were brown, then added three large cloves of diced garlic. I let those cook for a bit, then dump in a cup of quinoa and let that toast with the garlic and the shallots and the oil until I’ve almost convinced myself they’ve changed a different color. Then I add two cups of vegetable broth, bring the whole thing back to a boil, cover it and turn it down to simmer for 15 minutes while I make whatever else I’m having with it. Sometimes I’ll sprinkle some salt over it to season it, but honestly I don’t think it really needs it.

(Mostly the whatever else has been a few Morningstar buffalo wings because GAT DAMN cooking things in a gas over makes everything more delicious, and some frozen broccoli that I cooked, drained, then sauteed in butter and toasted garlic until everything else was ready)

I love this shit. I could eat POUNDS of it. It reheats fantastically and it’s a little bit crispy from the toasting and so very, very garlic-y and wonderful.

I have been a vegetarian for going on nine years and I’m only just starting to make vegetarian and vegan dishes that push all of my salt/garlic/savory buttons. Don’t ask me if I miss meat because honestly I’ve never been able to stand it. Some kids go to college and gain fifteen pounds their freshman year because they’re free to eat all of the candy and burgers and pizza that their meal points and stomach capacity would allow. I went to college and lost weight because I didn’t have to force myself to eat stuff I didn’t like anymore.

So what about you? Do you have any awesome recipes to share?

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Midnight in the only place that matters (Emilio Estevez’ Heart)

Last night, I wrote a song.

I should start off by saying I have only written three songs in my life. The first song was when I was fifteen and all I wanted was to be a rock star. I was in a band. We were named Genghis Gu and the Border Ruffians. We played Led Zeppelin and Metallica covers in my friend’s basement with a borrowed drum kit. The band broke up when the drum kit was unborrowed. I played it (anxiously) for my bandmates (in particular the one I was in love with at the time). He said it sounded too much like Smashing Pumpkins. I stopped writing.

The second song I wrote two? three? years ago for a friend’s birthday. I had just learned to play the ukulele and was intrigued by how different and WRONG the chord progressions sounded. I promised her a song and promptly forgot about it, until the morning of her birthday party. So I wrote a song in a panic about how it wasn’t actually her birthday any more and the gall of her to make us pretend like it was. It went over well. The lyrics are still magnetized to her fridge. It was called “Your Vitriol Ruined My Song (or It’s Not Your Birthday)”.

The song from last night has a similarly random synthesis point. A friend on Twitter (@kmcriddle – a fellow writer and San Diegan I’d met a grand total of once) tweeted she was listening to the Mighty Ducks soundtrack. I tweeted back “Estevez for the rest of us”. Various other ridiculous tweets went back and forth before she tweeted

“Oh gosh. That made no sense. Is it midnight yet? Can I go to sleep?”

To which I responded “yes. It’s midnight in the only place it matters: Emilio estevez’s heart”

This was days before I was going to get my banjo in the mail. So she wrote “I can’t wait for the original banjo song ‘Midnight in the Only Place That Matters (Emilio Estevez’s Heart)'”

My banjo came exactly one week ago. I felt proficient enough on it last night that I could finally switch between chords without my fingers getting too confused. I was riding the high of inspiration still from the 8 in 8 project I had spent all of Monday and Tuesday watching online, so I said “fuck it,” queued up a few YouTube clips related to Emilio Estevez for research (This one in particular was almost all I needed for material, along with his Wikipedia entry) and busted out my banjo chord finder and an online chord wheel and three hours later I had written and (inexpertly) recorded this:

(permalink to the song here)

[best part of the night was actually looking up the chords to Total Eclipse of the Heart because there was a chord progression I wanted for the bridge that just didn’t quite sound right on banjo that I KNEW was in that song somewhere – the literal video didn’t help]

I have spent years actively running away from writing songs, but you know what? It was actually fun last night and the nearly 18 years I’ve spent playing instruments meant it was not too hard to actually do.

Now the goal is to have the next song I write be even better (for that, stay tuned next for next month’s challenge).

Posted in Music | 2 Comments

8 (lessons) in 8(paragraphs)

It’s getting on towards sunset and I’ve spent the last few hours putzing around the office or my apartment watching Amanda Palmer, Ben Folds, Damian Kulash and Neil Gaiman putz around a studio making music live.

For the Rethink Music conference today, they decided it would be more interesting if instead of standing around talking about music all day and eating thai food, they would take eight hours to write eight songs, record them and release the album the following day for free on Bandcamp (details about it can be found at Amanda’s blog here).

As someone who has always wanted to write music, but never really understood where to start, watching these four pros pull song ideas from twitter with Neil scrawling lyrics and Amanda, Ben and Damian crafting songs from them has been illuminating.

Now you would think that the songs that would come out of this forced creativity are no good, but listening to them as they come together, they’re not. They’re far from it. Personally, I can’t wait until tomorrow so I can download them and spend the afternoon writing e-mails and listening to them in a loop (albeit a shorter loop than they originally intended, as they’re two hours away from the deadline and they’ve only got two songs done).

It’s impossible to sit here now and think of all of the different things I could be doing with my time as they argue about arrangement or melody or word usage. And how much of that time I waste for one reason or another (and they’re rarely good reasons).

Seeing a song come together like this, it’s apparent how important it is to be proficient at whatever instrument it is you’re trying to write with. It’s hard to follow the train of a melody with chords if you can hear the chord in your head, but don’t know how to make your fingers play it. It’s apparent how in order to have one song sound like the next, style-wise, you need to write songs a lot, so the habits take hold, so that when you go from a sad song to an upbeat one to a trance-based piano song about a dead squirrel in a bathtub, it still has the things you like in it – the things that comprise a voice. And it’s apparent that in collaboration, you can sometimes find that thing that you kept trying to hear, but couldn’t (because your thoughts or too loud or you’re stumbling over the wrong choice of words or your hung up on how much the chord progression you wrote inadvertently sounds like a Creedence song), because other people are talking louder than the noise inside your head.

This exercise, this enterprise, this exhibitionism – whatever you want to call it – is nothing more than the single most valuable workshop on songwriting I have ever seen. It tears away the egg-foam crate-covered walls of the studio and lets people – sometimes desperate, always passionate people – who struggle to do the thing they want to do see one way that it could be done. A process to imitate and to emulate and to deviate from as it’s discovered what works for them and what doesn’t: it’s an illustration of the art of making art.

B(en). A(manda). N(eil). D(amian). Did so much more than make a record today. They showed others a place to start.

Now where did I leave my banjo?

Posted in Process Geekery | 1 Comment

[The title of a movie you can’t remember]

(Not actual size)

Growing up, Easter was all about the scavenger hunts. We would wake up early and pace around our baskets wrapped in festive cellophane, trying to figure out what all was in there, buried beneath the candy. As soon as our parents were up, my brother and I would tear into the baskets, taking inventory of our bounties and searching for that egg-shaped piece of paper with a clue printed very carefully in my mom’s neat handwriting.

We would then scour the apartment looking for the next clue. Even though our apartment was small, and our bedroom wasn’t included (highlighted in blue), the hunt seemed to make the place stretch out as miles of nooks and crannies and crevices where the clue could be. I even remember one year, I had to look up a movie the clue referred to (out of the thousands that lined the east wall of the living room), get the number from the index – the clue was slipped between the tape and the case.

At the end of these hunts, I would find a stuffed bunny (I still remember Butterscotch, which was one of the softest things I’d ever felt up to that point). Those bunnies live in my mom’s storage locker.

It’s easter today and I’m alone in my apartment, drinking cold black coffee and trying to drown out the noise of the party in the courtyard in my complex with morose music as I stare at my stack of DVDs along the south wall of my apartment, knowing there’s no slip of paper hiding between the plastic disc and the plastic case.

But that’s nostalgia for you – it allows you to completely block out the fact that you’re an adult with the warm wonder from childhood. It lets you make excuses as to why every second of your adult life isn’t awesome. And really, there’s no reason why it shouldn’t be.

Listen to Randall Monroe - he is a wise man

Take a minute to remember all of those minutes you spent between the powerful fits of child-like wonder and contentment waiting until you were grown up so you could finally do what you want.

So let me ask you this: what are you waiting for?

If you’ll excuse me, I’ve got some words that need to be strung together.

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Pie and Douglas Firs and gentlemen named “Bob”

I recently discovered (and by recently, I mean earlier today) that Netflix has both seasons of Twin Peaks available to stream. Part of me wishes that I could tell you that I was an original adopter of the show and that it changed my life, but I was 8 when it originally aired, and my reasons for wanting to be ahead of the curve are tied to things i don’t think I’ll ever consciously write about. I didn’t see it until I was in my teens and Bravo had decided to re-air all of the episodes. My dad thought it would be right up my alley.

My dad knew me better than I ever thought he did.

But that’s neither here not there.

I watched those episodes week by week, at the tail end of my David duchovney obsession, which likely led my dad to record it for me in the first place. Before then, my only introduction to the show had been through my affinity for David lynch movies as my dad rented then and a few cameos on The Simpsons.

it was strange to watch it out of time. There was no one to discuss it with week by week. My dad didn’t even bother to rewatch it with me. It was just something I would do on weekends. By myself. For months. It was very like my dad to do things like that – to plant a seed, and not bother to see if it grew into anything. He would indulge me, sure, if something seemed to have taken root, but it was without conversation. Just a silent agreement that he seemed to take pride in, like my love of music or writing or in learning how to play an instrument. His slow, subtle molding of a girl who shared his love of horror and art.

So in this vacuum, lynch’s derelict fantasies of americana festered. It wasn’t until watching for the first time since that first belated introduction that I now see why I was drawn so powerfully to his utopian dystopias.

It’s the idea of that hidden life that permeates all of lynch’s work: that idea that dreams have all the substance and reality is the stage on which that force exerts itself. The ideas that humanity can only rise as high as it’s darkest desires, and those that don’t accommodate this undertow will eventually succumb to its pull or else they’re hollowed by their denial of it.

I remember losing interest in it after it was revealed who actually did kill Laura Palmer. When the underbelly had been so thoroughly flensed that there was nothing left to be said. I’m curious if that point will come sooner now that I know the shape of the things.

As though knowing the shape of things could adequately prepare me for what I know is coming.

* * *

I spent a full working day today working on something I’m hoping to be done with by the fall. It’s something I started nearly four years ago that I’ve been making excuses to not work on until I knew better what I was doing.

After re-reading what I’d done, it makes it easier to see how far I’ve come (not to mention how much I fucking missed smoking at the time).

And while I’ve got a long road ahead (that makes me bitter i can’t have more days like today with which to work on it), I can’t wait to see how things go this time around.

And hopefully someday soon, I’ll be able to share.

Posted in Ritual Movies | Leave a comment

If his brain’s ran down, how can he talk?

Somewhere, the day has slipped away from me. And not slipped in the traditional time sense, but in that I thought I had it pinned down, but it was torn off sometime between lunch and now.

That buzz I’d been riding on the news that my undergraduate honors research thesis is finally being published might have had time to mingle with the contents of a conversation I had last night, or that quiet walk home after my bedtime. They annihilated one another in a perfect combination of phase and anti-phase and I’m left with the steady hum of the air conditioning, which is on too high. And the Lucky Charm marshmallow smell of my lip gloss does nothing to make my chapped lips feel better – it just makes the flap of dead skin on my lower lip stick better over the spots I’ve been worrying bloody this afternoon.

That second one has nothing to do with sound. But the aching from my lip is feeding into the aching in the back of my head.

I’m struggling with the restraint I’ve been trying to show this past year.  There are things I want to ramble on about so I can extract them from my own software cycles, but I’m not letting myself. I feel like something’s building. I feel like it’s going to explode.

Hopefully in the form of a piece of art. After all, that’s been the point of the restraint – to keep from skimming everything away from my subconscious, to let things roil a bit. I’ve been trying to examine the effect of this exercise – to see if the act of keeping things to myself can change how I make art or the art I do make.

Which brings me to why I’m writing this post. It’s finally that time –

Time for the first challenge.

I am going to take the next 30 days to make something from this place – my meditation on the importance of secrets.

If you’d like, you can do the same. It can be anything to do with the theme – it can be any type of art. At the end of the 30 days(May 12th) if you have something you want to share, send me a link and I’ll link to it from here, or even post it if you don’t have a forum of your own.

Just remember – it doesn’t have to be good. It just has to be.

Now I’m going to go try and chase down the rest of this day. I think there are eddies in the ventilation system current somewhere in the vicinity of the vending machines.

Posted in Errata | 1 Comment

We seem to be made to suffer – it’s our lot in life.

I used to be able to recite every line in the three original Star Wars movies. After a while, it became a compulsion. To this day, I have a hard time not mouthing along every bit of dialogue, or squealing alongside R2, Jawas, Sandpeople, etc.

I was sick a lot as a kid and my dad had copied all three Star Wars movies onto a single glorious tape, so when my brother would leave for school, I would climb into my nest of blankets on our green felt couch and pop in the tape. By the time the trilogy was over, it was nearly time for my brother to be home from school, and my head would be filled with ideas about building my own lightsaber or honing my latents Jedi skills.

I can’t remember when I stopped watching The Trilogy when I was home sick — probably around the time that being sick became more of a visceral experience. I don’t remember this exhaustion and dizziness. I don’t remember the sweating and the headaches. I suppose that when you have someone to take care of you when you’re sick, you allowed to be less concerned about it. Being sick when you’re young means fizzy drinks and warm hands on clammy skin, kisses on your forehead and someone asking how you feel and genuinely wanting to know.

Being sick when you’re an adult means debating what you’re going to wipe your ass with when you run out of Kleenex and toilet paper and are down to you last roll of paper towels. It means deciding at 6AM when your alarm goes off on Day 2 of infirmity whether you are capable of sucking it up and going into work, then trying to remember just how many sick days you have left and wait, IT’S ONLY FUCKING APRIL. It means sleeping all day and waking up with a sore back in a pile of sweaty sheets, knowing you’ve only got the one set and you don’t have the energy to do laundry today. It means feeling that rush of relief that you still have decongestants left from the last time you were sick and you don’t have to venture out into the world.

I don’t watch movies when I’m home sick anymore. I sleep. I listen to music. I watch seasons of television shows because they’re short and I can nap between them. I try to shut off my awareness as much as is humanly possible. Because I know I’m not possessed of Jedi powers and that lightsabers aren’t real.

Over the years I’ve had other people occasionally take care of me and get me fizzy beverages with the hands and the kisses and the asking how I am. But it always feels like an elaborate game of house – each person performing the sickness rites their parents had performed on them – and it never feels like home.

I used to think as a kid that if I got sick enough, I would eventually be immune to everything. Just like I used to think that if I could visualize my bedroom perfectly in my mind, down to every last detail, I would be able to levitate the bed. There’s a child-like logic there that I miss because everything in the world would make sense and there was still room for wonder. For magic.

Now my magic resides in finding a second roll of toilet paper hiding under the sink, and there being just enough honey left for a second cup of tea.

But I can still recite most of the lines from The Trilogy as they play on the insides of my eyelids when I drift off into an pseudoephedrine-tainted dream.

Posted in Ritual Movies | 6 Comments

Something here will eventually have to explode

I’m posting this from bed via the wordpress iPhone app so we’ll see how that goes when I come back to read this in the morning.

It’s raining. I love the rain. It’s for all the usual reasons – the constant gentle tap on the glass that makes you grateful to be warm and indoors, the silence that holds itself around each drop, the forgiveness you can allow yourself for all of the things left undone.

But there’s more than that. In a place like San Diego, the rain is a rare thing. So when I lay in bed, listening, it’s a more active kind. I almost want to hear every drop so that it’ll be held in my memory on the sunny days, the foggy mornings, the mild, dry nights.

You see, the rain was a more constant thing growing up. To the point that it became framed in such a way as to be a nuisance. But as the desert sucked away that pretense, so too did it take with it that feeling of home. You might be able to guess what’s been on my mind lately.

I spent the day in the desert. I’m spending my night in the rain.

I’ll write about the trip to the desert sometime soon. In the meantime, I hope you can find your home either in the patter of the drops or that silence between.

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The Five Stages of Rejection

Another submission, another rejection, another turn of the rejectomancy ferris wheel.

I’m in limbo right now – having checked the online submission website to find the status changed from “received” to “rejected”. It’s a change in three letters – I hate those three letters. They bring about similar bouts of hope and dejection when they appear in my Scrabble tray. However, I’m waiting for the e-mail to appear in my inbox with the announcement. The wheel comes to a stop.

Yes, Mr. Barker, I think I’ll take another spin.

While I wait for the e-mail, I would like to introduce anyone who hasn’t had the distinctive pleasure of experiencing a rejection a brief overview of the five stages of rejection grief.

I’m sure there are many out there who’ve done a better job writing about this than I could ever hope to, but I can’t recall any posts off the top of my head.

Statements like the preceding one are part of the first stage, by the way, which is Denial of One’s Abilities. I do have to admit that the more it happens, the faster it is to cycle through, but that sting never goes away completely. You still feel that moment when your heart pulls the breath from your lungs and your mind temporarily loses the ability to decipher written language, which is also a part of Denial, but a subtler shade of it that takes form as a Denial of the Nature of Reality.

This pity-party continues throughout the rest of the stages and acts as a push/pull factor that will eventually bring you, a bit more tempered, out the other side. My best advice is to not ignore it or deny it – go with it and embrace the humility that comes with it. Just don’t curl up with it. Let it light a fire under your ass.

But I’m getting ahead of myself.

Denial of both sorts inflates to the point where it completely engulfs the writer’s ego and gives root to the interesting second stage reversal of ANGER. (Note: ANGER is always written in all caps. It’s an internet rule. It would be different if I were writing this on paper.) The degree of ANGER tends to correlate with the size of the ego and/or the length of time the submission spent in the slush pile.

Smaller/formerly crushed egos tend to direct the anger towards themselves. For example: “WHY did I send that out to the market I most wanted to get published in FIRST?! I KNEW it wasn’t ready and now I’ve burned that bridge – I’m so STUPID.” Take notice of ANGER in that sentence (easily identifiable by the caps lock). Shorter stints in the pile helps to avoid the perilous Getting-Up-Of-Hopes, too.

Newer writers (with intact or indestructible egos) and folks who have a story somewhere for a longer period of time tend to get a more extroverted kind of ANGER. For example: “Is the lead editor and IDIOT? If I had only gotten to the head editor THEY would have SEEN THE GENIUS IN MY WORDS?” (This is the kind of anger that perpetuates the existence of the caps lock button on keyboards). I have to give it credit, though. It is incredibly ego-protective. The only problem is that it can overwhelm the nagging doubt leftover from the denial phase – and doubt is what convinces you to grow.

Eventually, the warring between the doubt and the ANGER results in Bargaining – you decide that maybe if the editor would specifically tell you what turned them off, you might not send them as big a piece of crap next time. It appeals to the Denial in that it confirms what the weaknesses were, so that you might fix them. It also appeals to the ANGER in wanting to find out what DID work or understanding if the reader really didn’t get it (and really, if that’s the case, it’s not their fault – it’s yours).

The Bargaining stage is where Rejectomancy comes in, which is the art of over-analyzing. The tempered writer knows to expect a rejection, but they secretly hope for a PERSONALIZED rejection. This is where the editor tells you WHY they didn’t take it. These take time to write, so they usually mean you came closer than most (depending on the magazine), and sometimes they can give you a good idea how to fix it.

But the fun comes with the FORM rejections. These are, by-and-large, the most prominent ones. The first thing done is that the exact phrasing on the rejection is immediately punched into Google. Any hits that arise, you analyze the writing on the site of that author and size yourself up against them (this is where Denial and ANGER make another cameo). You try to discover if there are levels of form rejections, to give you an idea of what it all might mean.

It’s one of the reason’s I’m grateful for sites like Duotrope’s Digest, which helps to give you a realistic idea of your odds (and shortcuts through a lot of the rejectomancy aftermath), and insight into what might just be happening with your manuscript. It takes away a bit of the sting.

The penultimate phase that comes out of this is Depression. This is the hopelessness stage that happens after ANGER has stopped being self-sustaining and Bargaining peters out after spending six hours online scrolling through 4000 google results in the hopes of coming across, “Sorry we couldn’t use the story at this time means that you’re the greatest writer ever but they were sorry because they couldn’t use your story at this time,” which you’re secretly hoping to find. This is also the stage where the creeping doubts about why you’re doing this in the first place pop up.

WARNING: these thoughts are dangerous. Sure, people who’ve been writing for a while and collecting rejections tend to pass through the first few stages pretty quickly, but it’s THIS is the stage that wears on you. This is when the rational part of the mind takes over from the limbic system. This is the one that weighs the past evidence and does a complete inventory of your entire self worth. This is the one that knows it must exclude judging you as a person, but keeps drawing the line from the failure of the story to the failure of the writer to the failure of your very personality. THIS is the stage you must pull yourself out of as quickly as possible. The rational mind is working so use it to your advantage. Send the story out again without even thinking, or make the changes that occurred to you five minutes after submitting the story to the slush, or go for a walk, watch a movie, be with friends. ANYTHING to keep the pity-party from becoming a morose-marathon. (Apologies: terrible wordplay)

The final stage is the ironically named Acceptance. This one comes with the most wonderful shrug that leads to the collapse of the preceding stages. This is the one you exist in between submissions, the one where you may even write something new rather than repolishing the old. This is the one where you print out the rejection and stick it on the fridge and pat yourself on the back because so many other people are too scared to ever risk going through what you just went through.

In the course of writing this entry, I received my rejection e-mail. It was the standard form rejection (with the checklist of possible reasons for the rejection and everything). So now if you’ll excuse me, I’ve got some googling to do.

 

Posted in Process Geekery, Writing | 2 Comments